José Herrero
José Herrero · Portrait supplied for Immersive Stage.
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Screenwriting · dramaturgy · stage direction

José Herrero

At Immersive Stage

At Immersive Stage he wrote La habitación de Lorca, a virtual reality experience directed by Felipe Giuliano and linked to Ecos del 27. The Málaga Film Festival records both credits in La Villa del Mar’s Habitar la imagen selection.

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Related works

La habitación de Lorca

Ecos del 27

At Immersive Stage

Works and process.

La habitación de Lorca: a space for words

The room changes with the light as the voices of the poet and his ghosts move through the space. The eight-minute experience brings together José Herrero’s script and Felipe Giuliano’s direction within Ecos del 27.

Explore La habitación de Lorca ↗The visual world of La habitación de Lorca · project image.Script: José Herrero. Direction: Felipe Giuliano. A piece from Ecos del 27, presented at BRAVA Arts! in December 2025.
The artist’s trajectory

Career and training.

Training, other works and artistic practice.

José Herrero Rama is a stage director and writer. He holds a degree in Stage Direction and Dramaturgy from Madrid’s Real Escuela Superior de Arte Dramático, specialising in directing. He previously trained in text-based acting at the Escuela de Teatro de Getxo and in contemporary dance at Eguzki Zubia’s school in Bizkaia. His training brings together language, movement and the construction of a stage production.[1]

With actor Marjo Nina Ikonen he founded Ilmatar Teatro, a company devoted to exchange between Finnish and Spanish theatre. His directing work includes Jussi Kylätasku’s El pantano, Mika Myllyaho’s Pánico and Mika Waltari’s ¡Gabriel, regresa! These choices reveal a sustained engagement with relationships between characters and with the movement of plays between languages and audiences.[11][4][12][9]

In 2012 he directed Sofi Oksanen’s Purga, co-produced by Ilmatar and Vaivén. The production opened at the Teatro Principal in San Sebastián with a cast including Marjo Ikonen, Ana Pimenta and Sandra Ferrús. Violence, power and the survival of two generations of women lie at the centre of the play, whose Spanish run is documented in press reports and the performers’ credits.[2][3]

Lorca appears in his career long before virtual reality. He directed Mariana Pineda and Amor de don Perlimplín y Belisa en su jardín, the latter with Ilmatar and performances in Finland and Spain. In La habitación de Lorca, that relationship takes the form of a script for an immersive experience, where writing meets a visual and sonic realisation that places the visitor inside the work’s space.[6][5][10]

He has also written about his craft. ADE Teatro published his notes on staging Pánico in 2009 and El secreto de la crueldad: «Purga» de Sofi Oksanen in 2012. These texts offer a view of his work through its processes: reading a play, making directorial choices and working within the practical conditions of a company.[7][8]

Artist’s notebook

Works, press and encounters.

Documented projects, interviews and creative processes.

José Herrero brings his perspective on Purga to ADE Teatro

José Herrero contributes El secreto de la crueldad: “Purga” de Sofi Oksanen to issue 142 of ADE Teatro. Published in the “Directing notes” section, the article adds a written reference to his stage career.

ADE Teatro · José Herrero · número 142 ↗Article by José Herrero. ADE Teatro, October 2012. Link to the contents and edition of the journal. Publications archive.
Sources

Documentation reviewed on 28 October 2026.

  1. 01José Herrero Rama↗
  2. 02Europa Press↗
  3. 03Vaivén Producciones↗
  4. 04Ruth Franco Talent↗
  5. 05Nina Ikonen↗
  6. 06Nara Talent↗
  7. 07ADE Teatro 128↗
  8. 08Dialnet↗
  9. 09Fennia↗
  10. 10Festival de Málaga↗
  11. 11tierradefuego.es↗
  12. 12rominarmedina.com↗