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News, interviews and encounters around the artists and their works.

Noelia Rosa explores the other side of every scene

Noelia Rosa leads a series of creation and performance workshops at Remiendo, exploring what lies beyond the text. The first session, on 28 and 29 November 2026 in Granada, focuses on imagination, subtext and the creative voice.

Remiendo · course programme and conditions ↗An activity programmed by Escuela de Teatro y Doblaje Remiendo. Confirm dates, availability and conditions directly with the school.

Noelia Rosa champions theatre that awakens the gaze

The actress, director and teacher discusses stage brutalism on Luz de gas: an approach that makes structures, materials and bodies visible. She champions the craft of directing and the creation of distinctive imaginative worlds in response to the uniformity of images.

Luz de gas radio podcast · Juan Duque Oliva ↗Interview “Noelia Rosa | actress, director, teacher”, published on 29 October 2026. Duration: 24 minutes. Listen on the original programme page.

The imagined Bach opera, with sound by Arne Bock

All of Bach releases J. S. Bach – The Apocalypse, by OPERA2DAY and Nederlandse Bachvereniging.

All of Bach · Nederlandse Bachvereniging ↗Sound design, editing and mixing: Arne Bock. Recording: Bock, Nina Kraszewska and Rick Hendriks, 14–15/02/2024.

José Herrero: words that inhabit Lorca

José Herrero wrote the script for La habitación de Lorca, the virtual reality and sound theatre piece directed by Felipe Giuliano. His Immersive Stage profile brings together the work, its presentation within Ecos del 27 and its inclusion in the Málaga Film Festival’s La Villa del Mar programme.

Immersive Stage · José Herrero’s profile ↗An editorial publication by Immersive Stage. Script for La habitación de Lorca: José Herrero. Direction: Felipe Giuliano. Photographs supplied for publication.

Javier Ruiz de Alegría sets time in motion in Constelaciones

Javier Ruiz de Alegría’s circular platform makes space part of the narrative in Constelaciones, directed by Sergio Peris-Mencheta. Time Out highlights its expressive force; Tarántula values how movement conveys loss, while questioning the dramatic reach of the production’s use of chance.

Time Out · Ka Penichet · 26/02/2026 ↗
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Time Out · Ka Penichet · «Constelaciones» · 26/02/2026 · 4/5. Tarántula Cultura · Luis Muñoz Díez · «Crítica “Constelaciones” de Nick Payne, recreada por Peris-Mencheta» · 12/02/2026. Críticas independientes. Escenografía: Javier Ruiz de Alegría. Producción: Centro Dramático Nacional y Barco Pirata.

Sharing the craft: La Red Summer School

La Red’s 2026 Summer School lists Javier Alegría, introduced as technical head of Veranos de la Villa, among the workshop leaders on contemporary practices and challenges. His participation is part of the programme for performing arts professionals.

La Red · Summer School 2026 ↗Training activity listed in La Red’s programme. Madrid Produce confirms his 2020–2026 period as technical director of Veranos de la Villa.

Il Doge: music for a portrait of redemption

In her conversation with Rolling Stone Italia, director Gianna Isabella Magliocco singles out Thilo Schaller among the collaborators who shaped Il Doge. The article explores the documentary’s story and production process.

Rolling Stone Italia · Gianmarco Aimi ↗Interview with Gianna Isabella Magliocco and Giampaolo Manca, 31 December 2025. Original score for Il Doge: Thilo Schaller.

Joe Hisaishi’s music on the scale of Tokyo Dome

Entertainment Technology Asia explores the system design and alignment for Joe Hisaishi’s Tokyo Dome concert. Arne Bock and Tyler Soifer work on coverage throughout the venue to bring the orchestra’s music to every part of the audience.

Entertainment Technology Asia · Elton ↗Article ‘Symphony in Soundwaves’, 24 July 2025. Design and alignment: Arne Bock and Tyler Soifer.

The stage as a living canvas

On Eso no es teatro, he explores the connections between his work as an actor, set designer, lighting designer and visual artist. The conversation also considers his experience in technical direction at the Centro Dramático Nacional and festivals.

Eso no es teatro · interview ↗Video podcast by Eso no es teatro, published on 9 April 2025. Audio and video available at the original source.
susyQ explores the visual world of Quijotes en Nueva York

susyQ explores the visual world of Quijotes en Nueva York

Yaiza López examines the dialogue between the performers’ bodies, Iris Azquinezer’s music and Pedro Giuliano’s visual world. The review accompanies the premiere of Jean-Philippe Dury’s creation for EBB Company.

susyQ · Yaiza López ↗Quijotes en Nueva York · image from the Madrid Produce archive.Review: “Loco caballero andante”, 14 December 2024. Audiovisual and immersive design: Madrid Produce. Visual artist: Pedro Giuliano.
Invernaderos among the experiences at OFFF Sevilla

Invernaderos among the experiences at OFFF Sevilla

Eventoplus includes Syntro.phi’s installation in its festival report. The work brings together painting, sculpture and digital landscapes at the Real Fábrica de Artillería.

Eventoplus · Teresa Fernández ↗Invernaderos · Madrid Produce archive.Coverage of the work, 4 December 2024. Artistic direction: Felipe Giuliano. Visual creation: Felipe, Pedro and Djalal. Original music: Thilo Schaller. Co-production: Madrid Produce and Tertulia.

Forever: scenery as a fourth character

Ismael Lomana explores the revolving stage in Kulunka Teatro’s Forever, where scenery reveals family routines and conflicts.

EnPlatea · Ismael Lomana ↗Set design: Ikerne Giménez and Javier Ruiz de Alegría.

How music supports a story

Thilo Schaller joins Graeme Cornies, Alexander Hitchens and Margaret Maria in For The Craft, a conversation about music, characters and narrative structure. Kaya Savas hosts the discussion.

Film.Music.Media / Impact 24 PR · listen to the episode ↗A conversation from the fourth Film.Music.Media symposium, published on 28 August 2024. Episode duration: 71 minutes.

Forever’s stage design wins a 2024 Godot Award

Ikerne Giménez and Javier Ruiz de Alegría received the Godot Award for stage design for Forever. The organiser’s report records the results of the ceremony held on 10 June 2024. That year, they were also Max finalists for stage design and Talía nominees for set design.

Revista Godot · 2024 awards ↗Godot Award for stage design: Ikerne Giménez and Javier Ruiz de Alegría, for Forever. Organised by Revista Godot. The Max and Talía nominations are documented in the biography’s sources.

Elden Ring: a listening experience that travels through the hall

The report on the Paris premiere of Elden Ring Symphonic Adventure highlights Arne Bock’s work with the orchestra, choir and effects distributed around the auditorium. Javier Gil Pérez writes the account for SoundTrackFest.

SoundTrackFest · Javier Gil Pérez ↗Report on the Paris concert of 13 January 2024, published on 14 January. Concert production: Overlook Events.

Noelia Rosa: acting as a starting point

In CulturaPress, Noelia Rosa talks to Eva Gamallo about stage direction, acting and the processes that turn an idea into an encounter with an audience.

CulturaPress · Eva Gamallo ↗Interview published on 26 June 2023. Read and listen at the original source.

Felipe Giuliano co-directs Litoral at Teatro Alhambra

Felipe Giuliano de Andrade, Joana Bressan and Fiona Orioli co-direct Wajdi Mouawad’s play with eighteen performers. The production explores memory, the search for origins and the death of a father within Andalucía’s stage directing programme.

Granada Hoy · R. L. ↗R. L. · «El Teatro Alhambra acoge el estreno de ‘El retablo de las maravillas’, finalista del Aula de Dirección Escénica» · 14/06/2023. Información cultural basada en un comunicado institucional. Litoral: estreno el 10/06/2023; codirección de Joana Bressan, Felipe Giuliano de Andrade y Fiona Orioli.

Radio Euskadi: from the stage to painting

Distrito Euskadi talks to Javier Ruiz de Alegría on World Theatre Day. The conversation covers his training, painting live in El hombre y el lienzo, and his stage and lighting designs, including Forever, Ay Carmela and El sueño de la razón.

EITB · Distrito Euskadi ↗Radio Euskadi interview, published on 27 March 2023. Audio available at the original source. Archive.

Javier Ruiz de Alegría: a different self-portrait at every performance

Painting and acting happen together in El hombre y el lienzo. In his interview with Joan Colás, Javier Ruiz de Alegría explains how the character’s emotions transform colours and brushstrokes, and how the painting brings new nuances to his performance.

Crónica Global · Joan Colás ↗Interview “Javier Ruiz de Alegría: A veces estamos demasiado temerosos de dejarnos sorprender”, published on 7 February 2023. Production: El hombre y el lienzo. Press archive.

RTVE: a conversation about painting and theatre

Radio 5’s Dramedias talks to Javier Ruiz de Alegría about El hombre y el lienzo and the relationship between his acting, painting and lighting design. The audio is available in the original RTVE publication.

RTVE · Dramedias on Radio 5 ↗RTVE / Radio 5 interview, published on 14 January 2023. Archive.

Carmina Burana: El Retiro transformed by light

The Coro Nacional de España closed Veranos de la Villa 2022 with Carl Orff’s Carmina Burana at the El Retiro lake. Madrid City Council’s official communication highlights Julián Pérez’s work on staging conceived for the Alfonso XII monument.

Madrid City Council · programme and lighting credit ↗
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Lighting design: Julián Pérez de la Torre, credited as Julián Pérez in the municipal press release. Coro Nacional de España, conducted by Miguel Ángel García Cañamero. Production: Madrid Produce. 28 August 2022.

Felipe Giuliano explores migration in Driftwood Humans

Sculpture, video art, presence sensors and migrants’ testimonies meet in the installation presented by Gallo Rojo. Felipe Giuliano explores displacement and the relationship between the work and its visitors.

Gallo Rojo · espacio organizador ↗Gallo Rojo · «Inauguración exposición “Driftwood Humans”» · 22/03/2021. Instalación de Felipe Giuliano. Apoyo: ICAS, convocatoria de 2020.

Thilo Schaller discusses the creative potential of immersive sound

The AES 2020 virtual convention brings together Thilo Schaller and other specialists to explore binaural audio. SVG Europe’s report considers applications in games and augmented reality, and the role of artistic creation in shaping these experiences.

SVG Europe · David Davies ↗David Davies · «AES 2020: Focus on ‘creative potential’ of immersive audio technologies» · SVG Europe · 08/06/2020. Prensa sectorial independiente.

Thilo Schaller on when music should give way to silence

At a SUNYWide Film Festival workshop, Thilo Schaller explored the timing of film music and its relationship with emotion. The report discusses his approach to scores that serve the story, collaboration with directors and the expressive power of silence.

Buffalo Review / Stripes Media · Joseph Kasko ↗Joseph Kasko · «Listen: SUNYWide Film Festival podcast» · Buffalo Review / Stripes Media, Buffalo State · 15/11/2017. Crónica con declaraciones.

José Herrero brings his perspective on Purga to ADE Teatro

José Herrero contributes El secreto de la crueldad: “Purga” de Sofi Oksanen to issue 142 of ADE Teatro. Published in the “Directing notes” section, the article adds a written reference to his stage career.

ADE Teatro · José Herrero · número 142 ↗Article by José Herrero. ADE Teatro, October 2012. Link to the contents and edition of the journal. Publications archive.

Arne Bock and Thilo Schaller share tools for immersive sound

The Royal Conservatoire in The Hague features both professionals in its Music Production for Interactive Media symposium. Their presentation explores how creative intent can guide audio technology choices, with binaural examples and interactive applications.

Koninklijk Conservatorium Den Haag · Music Production for Interactive Media ↗Tools for Creativity — Choosing the Right Technology for Being Creative in Immersive and Interactive Applications. Arne Bock y Thilo Schaller. Programa oficial del Royal Conservatoire de La Haya.
La habitación de Lorca in «Habitar la imagen»

La habitación de Lorca in «Habitar la imagen»

The Málaga Film Festival includes La habitación de Lorca in La Villa del Mar’s virtual reality selection. Written by José Herrero and directed by Felipe Giuliano, the work joins a programme devoted to space, presence and viewpoint in immersive audiovisual work.

Málaga Film Festival · official La Villa del Mar programme ↗La habitación de Lorca · image of the VR experience, Immersive Stage archive.Script: José Herrero. Direction: Felipe Giuliano. Programme source: Málaga Film Festival. The photograph of the work comes from the project archive.
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